The loop
Six patterns
Play this progression three ways on G-B-E and three ways on D-G-B.
Each route starts from a different inversion, then follows the closest connected triad shapes through the same progression.
G-B-E patterns
Root-position start
Start from the root on this string set, then let the planner choose the closest next shape.
- Am G2 R | B1 3 | E0 5 root
- F G2 3 | B1 5 | E1 R 1st inv.
- C G0 5 | B1 R | E0 3 2nd inv.
- G G4 3 | B3 5 | E3 R 1st inv.
First-inversion start
Start from the third in the bass of this three-string set, then keep the next shapes nearby.
- Am G5 3 | B5 5 | E5 R 1st inv.
- F G5 5 | B6 R | E5 3 2nd inv.
- C G5 R | B5 3 | E3 5 root
- G G4 3 | B3 5 | E3 R 1st inv.
Second-inversion start
Start from the fifth in the bass of this three-string set, then follow the closest connected route.
- Am G9 5 | B10 R | E8 3 2nd inv.
- F G10 R | B10 3 | E8 5 root
- C G9 3 | B8 5 | E8 R 1st inv.
- G G7 5 | B8 R | E7 3 2nd inv.
D-G-B patterns
Root-position start
Start from the root on this string set, then let the planner choose the closest next shape.
- Am D7 R | G5 3 | B5 5 root
- F D7 3 | G5 5 | B6 R 1st inv.
- C D5 5 | G5 R | B5 3 2nd inv.
- G D5 R | G4 3 | B3 5 root
First-inversion start
Start from the third in the bass of this three-string set, then keep the next shapes nearby.
- Am D10 3 | G9 5 | B10 R 1st inv.
- F D10 5 | G10 R | B10 3 2nd inv.
- C D10 R | G9 3 | B8 5 root
- G D9 3 | G7 5 | B8 R 1st inv.
Second-inversion start
Start from the fifth in the bass of this three-string set, then follow the closest connected route.
- Am D2 5 | G2 R | B1 3 2nd inv.
- F D3 R | G2 3 | B1 5 root
- C D2 3 | G0 5 | B1 R 1st inv.
- G D0 5 | G0 R | B0 3 2nd inv.
Why this progression works
Am starts with the emotion already active, F widens the harmony, C gives the line a little relief, and G keeps it from fully resting. It is useful because the feeling changes a lot while the shapes can remain close.
What to practice
Avoid treating the minor chord as a separate map. Keep Am connected to F, C, and G inside the same small fretboard window.
- Start with an Am triad that sits near the middle of your chosen fret window.
- Find the F inversion that changes the fewest notes under your fingers.
- Let C feel like relief, not a reset to a distant root shape.
- Move to G and listen for the pull back into Am.
Workout settings
- Strings: 3-2-1 or 4-3-2
- Tempo: 68 to 84 BPM
- Goal: keep the emotional loop smooth and compact
Good search intents for this lesson
- Am F C G guitar
- sad pop progression guitar
- vi IV I V guitar
- voice leading guitar
Practice Am -> F -> C -> G in time.
Guitar Triad Trainer keeps the progression visible, highlights the current and next moves, and helps you choose connected CAGED shapes.