The loop
Six patterns
Play this progression three ways on G-B-E and three ways on D-G-B.
Each route starts from a different inversion, then follows the closest connected triad shapes through the same progression.
G-B-E patterns
Root-position start
Start from the root on this string set, then let the planner choose the closest next shape.
- C G5 R | B5 3 | E3 5 root
- G G4 3 | B3 5 | E3 R 1st inv.
- Am G5 3 | B5 5 | E5 R 1st inv.
- F G5 5 | B6 R | E5 3 2nd inv.
First-inversion start
Start from the third in the bass of this three-string set, then keep the next shapes nearby.
- C G9 3 | B8 5 | E8 R 1st inv.
- G G7 5 | B8 R | E7 3 2nd inv.
- Am G9 5 | B10 R | E8 3 2nd inv.
- F G10 R | B10 3 | E8 5 root
Second-inversion start
Start from the fifth in the bass of this three-string set, then follow the closest connected route.
- C G0 5 | B1 R | E0 3 2nd inv.
- G G4 3 | B3 5 | E3 R 1st inv.
- Am G2 R | B1 3 | E0 5 root
- F G2 3 | B1 5 | E1 R 1st inv.
D-G-B patterns
Root-position start
Start from the root on this string set, then let the planner choose the closest next shape.
- C D10 R | G9 3 | B8 5 root
- G D9 3 | G7 5 | B8 R 1st inv.
- Am D10 3 | G9 5 | B10 R 1st inv.
- F D10 5 | G10 R | B10 3 2nd inv.
First-inversion start
Start from the third in the bass of this three-string set, then keep the next shapes nearby.
- C D2 3 | G0 5 | B1 R 1st inv.
- G D0 5 | G0 R | B0 3 2nd inv.
- Am D2 5 | G2 R | B1 3 2nd inv.
- F D3 R | G2 3 | B1 5 root
Second-inversion start
Start from the fifth in the bass of this three-string set, then follow the closest connected route.
- C D5 5 | G5 R | B5 3 2nd inv.
- G D5 R | G4 3 | B3 5 root
- Am D7 R | G5 3 | B5 5 root
- F D7 3 | G5 5 | B6 R 1st inv.
Why this progression works
C gives you the home base, G pulls the line upward, Am adds the emotional turn, and F softens the loop before it returns. That makes it a perfect first lesson for hearing how small triad moves can make a familiar progression feel connected.
What to practice
Keep the hand in one fret area and make each chord change with the smallest clean movement you can find.
- Start on strings 3-2-1 with a comfortable C triad.
- Move to the closest G shape, even if it is not root position.
- Let Am share as much fretboard space with G as possible.
- Resolve to F without sliding farther than the music needs.
Workout settings
- Strings: 3-2-1 first, then 4-3-2
- Tempo: 80 to 96 BPM
- Goal: hear the pop loop while your hand stays close
Good search intents for this lesson
- C G Am F guitar
- I V vi IV guitar
- guitar triads
- CAGED triads
Practice C -> G -> Am -> F in time.
Guitar Triad Trainer keeps the progression visible, highlights the current and next moves, and helps you choose connected CAGED shapes.